On the Study of “The Lute song” in China in the XXth and in the beginning of the XXIst centuries

Authors

  • Дмитрий Иванович Маяцкий St. Petersburg State University, 7–9, Universitetskaya nab., St. Petersburg, 199034, Russian Federation

Abstract

Generally speaking, in this article the author investigates the main paradigms of the study of the famous Chinese classical play “The Lute song”, written by Gao Zecheng (1305–1359), in the 20th and 21th centuries. During this period of time the study has undergone a great development and changes from the traditional mode of reflection over this play to it by using of modern concepts. A the same time study was deepened, a lot of new problems were erased. All this process was described in this article.

Keywords:

Chinese classical Drama, nanxi, chuanqi, “The Lute song”, the problems of investigation

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Published

2010-06-21

How to Cite

Маяцкий, Д. И. (2010). On the Study of “The Lute song” in China in the XXth and in the beginning of the XXIst centuries. Vestnik of Saint Petersburg University. Asian and African Studies, (2), 120–126. Retrieved from https://aasjournal.spbu.ru/article/view/1924

Issue

No. 2 (2010): Vestnik of Saint Petersburg University. Series 13. Asian Studies. African Studies

Section

Literary studies

License

Articles of "Vestnik of Saint Petersburg University. Asian and African Studies" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.