«Фортепьяно и барабаны»: нигерийские литераторы о неоколониализме

Зоя Валерьевна Мокрушина

doi:10.21638/11701/spbu13.2016.204

Авторы

Зоя Валерьевна Мокрушина Ярославский государственный университет им. П. Г. Демидова, Российская Федерация, Ярославль, 150000, ул. Советская, 10

DOI:

https://doi.org/10.21638/11701/spbu13.2016.204

Аннотация

В статье представлены взгляды нигерийских литераторов на неоколониализм как фактор социально-экономических, политических и экологических катаклизмов в Нигерии (и Африке) во второй половине XX — начале XXI в. Определены особенности освещения темы в контексте смены приоритетов и исходных установок трех поколений писателей и публицистов, чей творческий путь начался в 1950-х, 1970-х и 1990-х годах. Рассмотрены понятия «синтез», «диалог» «мультикультурность», «универсальная цивилизация», «самопрезентация», «антирасизм», ставшие для нигерийцев основой поиска идентичности, исторического межкультурного и межцивилизационного диалога с участием Африки.

Ключевые слова:

Нигерия, колониализм, неоколониализм, публицистика, художественная литература, расизм, антирасизм

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